Mc Phee
Highway
Highway
Grit
Grit
Gordian
Holy Shit
Grannie
Saga of the sad Jester has a great riffage.
All other songs are at least decent, too. YurkspbDec 04 2017
White Summer
This private press album from 1976 was the only LP by these guys from Chicago. The band plays hard rock with psychedelic elements and also some funk influences can be heard in some of the songs. I dig their sound quite much and most of the time this album sounds enjoyable. The lengthy album closer "Omega" might be the biggest highlight of this quite balanced record but all in all I can say that all of the tracks are entertaining.
CooperBolan Mar 10 2019
Panta Rei
Panta Rei's first and only LP is an enjoyable record. The songwriting isn't that impressive but as a jam band record this works pretty well. The instrumental work is solid but not exceptional. Overall I think this record deserves 3,5 stars out of five. Worth checking out if you're into progressive/psychedelic jamming.
Bastard
Strongbow
In spite of extensive touring throughout the mid-west and some Southern states, the band was unable to interest a record label in their talents. They subsequently opted to record and release a single on their own Epodus label:
- 1973's 'If You're Going To the City' b/w 'Changes' (Epodus catalog number E 773 A/B)
Between touring the band recorded a series of demos at Columbus' Owl Studios. Those demos attracted the attention of Buddah's small Southwind subsidiary which signed them to a recording contract. For whatever reason Buddah/Southwind executives demanded the demos be recorded, teaming the band with producer Alan Lorber. Released in 1975, "Strongbow" offered up a surprisingly enjoyable set of mid-western rock and progressive moves. With all eight tracks credited to singer Bill Bender, it was an odd album to describe. Listening to tracks like 'One Armed Bandit' and 'Move Over' it was easy to picture these guys slogging through the mid-west playing more conventional REO Speedwagon-styled rock. In fact, while his voice wasn't bad, singer Bendler probably would have been better suited handling more conventional rock numbers. On tracks like 'Move Over Gloom' and 'How Can I Be Loving You' he actually reminded me a bit of Randy Bachman. And that was actually a good musical baseline for describing these guys. Imagine BTO (yes I know they were Canadian), REO, Styx, or maybe even Grand Funk Railroad had they shifted their focus from rock to a more progressive orientation. Admittedly, nothing here was creatively groundbreaking and as hard as they might have wanted to become ELP, or Yes, their mid-western roots weren't going to allow them to abandon more traditional rock and roll structures.
Landslide
Foutanihead
Bleak House
Billy Bond
The songs are catchy or attractive enough to hold the attention of the listener, bluesy and psychedelic for the most part, heavy for their time, reminding one of early Hawkwind and Manal, while the lyrics (in Spanish) tend to be sarcastic or combative.
"Salgan al sol" (penned by Manal's drummer Javier Martínez), Pappo's "Divertido (Reventado)", and Spinetta's "El parque" are the standouts from this "Billy Bond y La Pesada del Rock and Roll".
In the end, the album sounds old, and the production leaves something to be desired, but the intrinsic humor of this Argentine 'supergroup', and some heavy rockers included make it a pioneering artifact for the local rock scene
Oda was a band from San Francisco, CA. Good US hard rock indie with impressive lead guitars by Randy Oda. A mix of Poobah and Highway Robbery, but not on the same levels. (roquecolorOct 19 2021)
KASTORES
Chameleon
J. Teal Band
There is no one named J Teal in the band, who were based in Spartanburg, South Carolina. Jonathan Teal was a gold prospector from the western hills of North Carolina, and yet another obscure historical figure was chosen as a band name - a very curious 70s tradition.
While ostensibly this album is labeled "Southern Rock", I would submit that is strictly because of its regional association, not its resemblance to bands more established in that genre. 'Country Girl', 'Lost Love', and 'The Cure' are brilliant hard rock numbers, with well crafted melodies, and just the right amount of jamming. Other than the rather mundane two short tracks with city-state names, the entire album is superb.
Essential piece of late 70s "real America". For fans of hard rock, this is a can't miss item. ashratom 04 2016
Cool Feet
(76.11804-00-1 Luxembourg Sound). After many tours in France and Germany. The band was so popular abroad that they no longer performed as much in Luxembourg. Guy Heintz replaced Mike Nash who became a disc jockey abroad. In 1978 cool feet recorded their first lp in the "Dierks-Studio" in Cologne. Title: "Burning Desire"
After a television appearance on Rtl, Guy Heintz left the band again. The old members Rich, Rom and Chouch recorded their last single for the time being in 1980 with the title: "To hell and back" and "Alone in your cage". The record was released under her own label (LMC-Rec. Luxembourg Music MC 30 002). In 1992 Guy Heintz rejoined the band.
Today's formation of the band is:
Chouch Schintgen (bass)
Guy Heintz (guitar)
Merten Versall (drums)